Building Characters · Heroes · Heroines · Historical Romance · Reviews · Writing Historical Romance

The Perfect Heroine

In the past seven years, I have had the opportunity to craft multiple female characters.  Each woman is unique so her personality fits the theme of the story that I pen.

However, it’s been interesting to learn that crafting a female character who pleases the vast array of preferences that exist among readers, is a unique challenge. It’s safe to say that each one of my imaginary leading ladies has been a victim of harsh criticism, but a few have been lauded as brilliant. The ratings appear to hang upon whether the reader likes or dislikes the personality and actions of the heroine. Since historical romance books are inherently written for the fantasies of the female audience, it makes perfect sense that female readers can be harsh critics. As I have said before, writing romance can sometimes be a tough gig.

What I find utterly fascinating is female readers appear to be more critical of their heroines than heroes. The damaged or flawed temperament of a handsome man is easily forgiven, rather than the shortcomings of a woman. The heartless rake who seduces a virgin in a passionate love scene is given absolution. His less than honorable motives are overlooked as well as his reputation. As long as he’s portrayed handsomely on the cover in a kilt or frock coat and gives the heroine the love and happiness she deserves.

After all, ladies want to fall in love with the hero of the book for many reasons. We wouldn’t be reading historical romance if we didn’t feel there was a void to be filled in our fantasies. Books take us back to another time we blindly believe to be much better than the society of our day. However, if the heroine doesn’t fit our preconceived idea of what we envision ourselves to be in her shoes, there could be trouble brewing in the ratings.

Why are we so critical of heroines? What is it about women who are harsh on other women – even if it’s just a make-believe character with no flesh, bones, or soul?  Is it because women relate more closely with their gender than they do with men?  I think it boils down to what I believe I’m learning about this phenomenon – the men or heroes are fantasies in the mind of a female reader, while on the other hand heroines tend to be more personal as we walk that path of romance with them page by page vicariously.

Take Daphne, in the Duke and I.  Since Julia Quinn’s Bridgerton series has hit Netflix, I’ve read quite a few scathing remarks about her behavior after people have read the book.  Her actions in the controversial scene where she proceeds to have sex without Simon’s consent stirred the pot of disgust. Of course, let’s not forget Simon’s duplicity in the relationship. Are his actions less offensive? I am just throwing out food for thought and not making any judgments myself.

Any author, who has taken a course or read a book on character building, will tell you that it takes talent to craft a hero or heroine and bring them to life.  We’ve all read complaints about cardboard characters (no depth) or characters that are run-of-the-mill remakes with no individuality.  The law of character building includes the pros and cons of that imaginary person. Can an evil person experience a pang of guilt or a saint have a sinful thought? Of course, they can, because without dimension, they are not human. It’s the things we love and despise about people that make for good characters.  By the end of the story, the fictional individual should have grown in some way or changed for the better in spite of their flaws while conquering that obstacle that looms between them and their happy ending.  Let’s be honest – not every living being is perfect – so why do readers sometimes expect characters to be as well?

An interesting exercise is to stroll through one-star reviews on best-selling historical romance books, and you’ll get a feel for how readers really view the heroine.  It’s usually a love or hate relationship based on personal preferences when it comes to romantic encounters between the pages.

Here are some of the negatives that women do not like in their heroines:
  • Prickly women who come across as bitches.
  • Weak women who can’t stand up for themselves.
  • Disabled women who don’t match the standards of beauty or perfection.
  • Gullible women who swallow men’s lies and have no good sense.
  • Arrogant women who are snobs or selfish.
  • Unforgettable and uninteresting women with bland personalities.
  • Women with poor self-esteem.

I am sure the list could be expanded, but those complaints are the most obvious.

Frankly, I think it is impossible to please every reader all of the time when it comes to historical romance. Each reader, like each character, is unique in what they are looking for in a story. They have their perfect hero and heroine already in mind, and it’s the journey that the two must traverse to find an everlasting love that is the entertainment readers seek. I would only caution that sometimes a character can possess negative characteristics early in the story, but the author has plans to mellow them out or heal their flaws. Unfortunately, tales that instantly irritate are often discarded before the best is yet to come.

So is there a perfect heroine?  I sincerely doubt it.  There are too many tastes and expectations for characters to be acceptable by all readers. 

Now as far as heroes?  Well, that’s an entirely different topic I tackled in another post.
Articles · Historical Romance · Writing Historical Romance

The Changing Heroines in Historical Romance

Female power. The new “alpha feminist” has arrived in the historical romance genre, becoming the new archetype of heroines presented to readers. The former heroines of eras past are now given twenty-first-century feminist empowerment by authors who are frustrated with the modern day female woes.

Should such role reversals be found only in contemporary romance or is it all right to change the facts of historical romance in order to rewrite what we dislike about a woman’s place two hundred years ago? The bodice-ripping dukes may soon be replaced by the female dominant who acts quite differently than a woman in want of a husband would have done so during the Regency or Victorian eras.

What are your thoughts about rewriting the historical aspect of historical romance to satisfy our strong female egos of the current century? Are you tired of reading about weak-willed and submissive women? Do you prefer putting period clothing on a twenty-first-century role model and ignoring the norms of the bygone days? Since staunch reviewers often chide authors that their historical romance contains modern-day dialogue, are the modern-day attitudes going to be embraced regardless of accuracy?

The growing change of empowering female characters from the past will have a huge influence on historical romance. Nevertheless, readers will gravitate toward what suits them as they read toward the happily-ever-after ending in search of romance.  It could be the typical dominant male hero that keeps your fancy or perhaps you’ll seek out the strong heroine who could care less what her place should be in the scheme of things.  Historical feminism will definitely be arriving earlier in historical romance books, according to the article below.

What are your thoughts?  Like?  Dislike?

Romance fans have long loved the genre for its unapologetic celebration of female power and sexuality. Now more and more writers are beginning to consider the ways in which their work can offer not just a happy ending, but a powerful statement.

Source: Who Gets A Happily Ever After In 2018?