Another interesting article.
“Bodice-rippers,” the most famous term associated with the romance genre are, according to the book Beyond Heaving Bosoms: “typically set in the past, and the hero is a great deal older, more brutal, and more rapetastic than the heroine.” The heroines were young, virginal women whose purity was of paramount importance to their worth. The rapist-turned-true-love hero was a standard character.
The genre is known for promoting traditional gender roles, but a new generation of writers is challenging these conventions.
One month has passed since my last list of top ten on the Kindle eBooks in the Romance >Historical Romance list.
The sands have shifted again in the vast landscape of historical romance books and the authors who write them. In fact, the list usually changes daily. Below is a list of the authors, with their current best-selling book.
How do authors get to the top ten? It’s all about popularity, brand, good books, and/or exceptional marketing. Usually when an author hits the top one hundred of any genre list, the book turns into a feeding beast multiplying sales. The better the marketing, the higher you climb, and the more visibility you receive. It’s a book-eat-book jungle in the world of Amazon algorithms.
Drum roll, please….we’ve done all the searching for you!
- Kate Quinn (Penquin Publisher) – Mistress of Rome
- Eleanor Meyers (Sherman Brooks Publishers) – The Legend of the Earl
- Bridget Barton (Independent Author) – A Damsel for the Mysterious Duke
- Lisa Kleypas (Avon) – Hello Stranger: The Ravenels, Book 4
- Ellie St. Clair (Independent Author) – He’s a Duke, But I Love Him, Happily Ever After Book 4
- Christi Caldwell (Independent Author) – The Lady Who Loved Him (The Brethren Book 2)
- Kathryn Le Veque – (Dragonblade Publishing) – Brides of Scotland (Four Medieval Scotland England)
- Caroline Fyffe (Montlake Romance) – True Heart’s Desire (Colorado Hearts Book 2)
- Kimberly Cates – (Independent Author) – Angel’s Fall (Culloden’s Fire Book 2)
- Mary Balogh – (Class eBook Editions, Ltd) – A Day for Love
This is a Press This! redirect to a fascinating article written in 2014 that deals with the overabundance of duke-centric historical romance novels flooding the market. Some of the blame is placed on Amazon and their algorithms. You know how it works nowadays – you search for a couch on Google and then couches are everywhere on Pinterest, Facebook, Instagram, etc. If you search for a Regency romance on Amazon, and you’ll get hundreds of suggestions on other Regency romances filling your pages.
The article explores the draw to dukes and the lessening of other genre eras losing popularity for a variety of reasons. In the end, though, it encourages both authors and readers there is much more out there to write about and read about when it comes to historical romance.
When writing a book, authors are faced with decisions about what era to choose and what location to place the story. Since historical romance genre readers have their likes and dislikes, those decisions can influence sales.
If you do a quick perusal of today’s best-selling historical romance books on Amazon Kindle, the top twenty are set in the following locations: 14 – United Kingdom, 2 – France, 3 – United States.
An interesting article was published in USA Today/LIFE by By: Joyce Lamb | July 6, 2016, focusing on the fact that historical romance set outside of England can be risky business. (See Link Below)
Settings in England continue to flood the marketplace. Perhaps that is why we are drowning in dukes and other titled aristocrat-related stories. Why, however, are readers not as interested in other geographical settings? The British have apparently made such an influence on literature throughout history in their abundance of romantic poets and female authors such as Austen, Bronte, and Gaskell, that we rarely look elsewhere. Romance in England holds our fanciful interests more so than stories set in other regional settings. Perhaps it’s one place the empire continues to rule because it appears the sun never sets on the British Empire of historical romance.
The more I look at the trends of the genre, the more I become convinced readers and authors are stuck in a rut. Of course, if readers don’t support the authors who dare to cross country borders, a dramatic change in the genre may never occur.
Romance stories can be universal and not confined to one country. It’s “a book or movie dealing with love in a sentimental or idealized way,” says the English Oxford Living Dictionary. Nevertheless, let’s face it — there’s nothing to idealize in a story about falling in love with a farmer from 19th century Poland. However, give us an English country estate, lavish lifestyles, a titled duke, and we’re more than ready to transport ourselves into the idealized romance of English life.
To read more about the brave authors who dare to set historicals outside of England, click on the link below.
Diana Quincy, whose new historical romance, A License to Wed (Rebellious Brides No. 3), is out this week, joins us to explore the topic of setting historicals outside of England. Diana: If there’s one unwritten rule in historical romance, it’s that venturing outside of England is a risky proposition.
- The importance of class and gender in the Victorian era played a large role in a woman’s life. A quotation from Alexander Walker, a physiologist, in the mid-1800s had this to say about women. “It is evident that the man, possessing reasoning faculties, muscular power, and courage to employ it, is qualified for being a protector: the woman, being little capable of reasoning, feeble, and timid, requires protection. Under such circumstances, the man naturally governs; the woman as naturally obeys.” The general male opinion regarding the female sex was void of respect. Women, however, as general, didn’t buy into the fact that they were inferior to the male species. Wives who only gave birth to girls were considered failures in their marriages. A male child was considered far better not only to produce an heir for the upper class but to produce workers for the family of the working-class.
- No formal schooling existed for children until the 1880’s. Upper-class women were taught at home by governesses and tutors. The middle upper class taught their children at home or paid for private schooling or boarding school. The lower class women were self-taught or remained illiterate. I am astonished from my own ancestry research on my family in the Manchester, UK area from the 1800s to 1890s how many of my ancestors put an “X” as their mark on documents such as marriage certificates.
- On one spectrum, the Victorian era was one of prudish ideals. Sex, menstruation, and masturbation were never discussed in the upper and middle classes. Most women entered marriage completely ignorant regarding sexual relations or the female reproduction system. Sex was a considered a marital duty in order to produce children and should never be a pleasurable experience for a woman. Ignorance was a means used to keep daughters pure until marriage.
- Up until the age of 21, men and women needed parental consent to marry. Marriage for the upper classes, of course, was arranged for wealth and power. Charlotte Bronte thought that romantic awakening was romantic folly. Women shouldn’t fall in love till the offer of marriage had been given, the wedding ceremony over, and the first half year of marriage had passed. Middle-class women married men that received their parents’ approval. Finding a husband could be difficult. In 1851, there were 500,000 more women than men in England, and by 1911, the number rose to a 1.5 million.
- The lower-class women lived entirely different lives. In the 19th century over a third of women were pregnant when they got married. The farming community “indulged freely in fornication and adultery.”
- A double standard existed in all three classes. Men were not criticized for fornication or illicit sex before or during a marriage, but women were held to different rules.
- The mortality rates were astounding in childbirth. One in 200 women died giving birth. Most women had an average of nine children. There were crude and ineffective means of birth control, and abortion was a crime. Many poor women, however, attempted to abort babies and died in the process.
- Once married, a woman’s property belonged to a man. Any wages a woman earned during the marriage belonged to her husband. It wasn’t until 1882 that an Act of Parliament finally gave a married woman the right to her property at the time of marriage or earned during the marriage.
- Underpants were not worn before the 1840s. Now you know.
- There are interesting chapters regarding what women did during the Victorian era regarding entertainment and domestic life for all classes.
- We romanticize the Victorian era far too much. A wife was the property of the husband. Once again, the double standard held where he could be unfaithful, but the wife could not. Divorce came by Private Acts of Parliament before 1857 and was very costly and difficult to obtain. Men could divorce their wife for adultery; women could not divorce only on the grounds of adultery, but it had to be accompanied by either physical cruelty, bigamy or incest. Custody of children went to the fathers, and the rights to see the children after a divorce could be curtailed or forbidden for the mother.
- The husband had the right to “to give moderate correction” if she did not obey. Wife abuse occurred in all classes of society. Women had very little recourse against husbands who beat them and leaving was often not an option. Not until 1878 were women able to separate from abusive husbands and receive some type of maintenance from their spouses.Because divorce was difficult to obtain, married partners would often separate and go their way. Alternatives would be living with another lover out of wedlock or committing bigamy.
- Most women outlived their husbands by many years, and widowhood for women in all classes could be a devastating and difficult time. One in four individuals over 65 were considered paupers and ended up their lives in workhouses or asylums. Unless they had family members who could afford to care for them, widows needed to turn to other means in order to support themselves. If they were savvy enough, they may take in boarders, clean houses, or find other menial jobs in order to survive.
- There were a growing number of women who preferred spinsterhood rather than marriage because they were free to handle their money, make their decisions, and keep their illegitimate children. Middle-class women had more opportunities to pursue skilled jobs, but they were paid a pittance in comparison to their male counterparts. Lower-class women often worked long hours in factories and other jobs, and sometimes resorted to prostitution.
Female power. The new “alpha feminist” has arrived in the historical romance genre, becoming the new archetype of heroines presented to readers. The former heroines of eras past are now given twenty-first-century feminist empowerment by authors who are frustrated with the modern day female woes.
Should such role reversals be found only in contemporary romance or is it all right to change the facts of historical romance in order to rewrite what we dislike about a woman’s place two hundred years ago? The bodice-ripping dukes may soon be replaced by the female dominant who acts quite differently than a woman in want of a husband would have done so during the Regency or Victorian eras.
What are your thoughts about rewriting the historical aspect of historical romance to satisfy our strong female egos of the current century? Are you tired of reading about weak-willed and submissive women? Do you prefer putting period clothing on a twenty-first-century role model and ignoring the norms of the bygone days? Since staunch reviewers often chide authors that their historical romance contains modern-day dialogue, are the modern-day attitudes going to be embraced regardless of accuracy?
The growing change of empowering female characters from the past will have a huge influence on historical romance. Nevertheless, readers will gravitate toward what suits them as they read toward the happily-ever-after ending in search of romance. It could be the typical dominant male hero that keeps your fancy or perhaps you’ll seek out the strong heroine who could care less what her place should be in the scheme of things. Historical feminism will definitely be arriving earlier in historical romance books, according to the article below.
What are your thoughts? Like? Dislike?
Like shifting sands on a beach, so are the top-ten historical romance authors on Amazon. Much of the move has to do with sales, of course, having pushed them upward into higher ranks.
Okay, who are the current ladies that write the stories that make you swoon prior to Valentine’s Day? Here are the top ten authors and their most popular books as of February 2018. It’s interesting to note that only two authors who were on our December list remain in the top ten – Christi Caldwell and Bridget Barton. As you can see, marketing is everything.
- Bridget Barton – A Damsel for the Mysterious Duke, Kind Ella and the Duke, A Beauty for the Scarred Duke, A Governness for the Brooding Duke, A Bride of the Betrayed Earl.
- Caroline Fyfee – Heart of Eden, True Heart’s Desire, Montana Promise, Montana Dawn, Montana Courage.
- Eleanor Meyers – A New Marquess, The Son of an Earl, The Son of a Soldier, The Son of a Marquess, To Love a Lord of London.
- Tammy Andresen – Hot Winter Nights, Earl of Sussex, Taming the Duke’s Heart, Taming a Duke’s Reckless Heart, Christmastide with My Captain
- Christi Caldwell – Hell and Sin, Scandalous Seasons, A Danby Novella, The Lady Who Loved Him, The Heiress’s Deception
- Kathryn LeVeque – High Warrier, Brides of the Marches, Realm of the Angels, The Legend, Godspeed
- Hazel Hunter – Lachlan, Gavin, Tharaen, Evander, Tormod
- Jillian Eaton – The Winter Duchess, A Dangerous Proposal, The Christmas Widow, A Dangerous Seduction, Forgotten Fiancee
- Laura Landon – Brotherhood Series, Jaded Moon, Ransomed Jewels, Silent Revenge, Dark Ruby
- Emma Prince – Surrender to the Scot, The Bastard Laird’s Bride, Highlander’s Redemption, The Lady’s Protector, Highlander’s Reckoning
IN THE NEWS – An interesting article and interview with author Beverly Jenkins.
Her latest romance novel, ‘Tempest,’ is about an African-American mail-order bride who heads to 1885 Wyoming to meet her future husband
Read More at Source: Author Beverly Jenkins delivers the unexpected
From USA Today Bestselling Author Beverly Jenkins comes a new novel in a mesmerizing series set in the Old West, where an arranged marriage becomes a grand passion . . .
What kind of mail-order bride greets her intended with a bullet instead of a kiss? One like Regan Carmichael—an independent spirit equally at home in denims and dresses. Shooting Dr. Colton Lee in the shoulder is an honest error, but soon Regan wonders if her entire plan to marry a man she’s never met is a mistake. Colton, who buried his heart along with his first wife, insists he only wants someone to care for his daughter. Yet Regan is drawn to the unmistakable desire in his gaze.
Regan’s far from the docile bride Colton was expecting. Still, few women would brave the wilds of Wyoming Territory for an uncertain future with a widower and his child. The thought of having a bold, forthright woman like Regan in his life—and in his arms—begins to inspire a new dream. And despite his family’s disapproval and an unseen enemy, he’ll risk all to make this match a real union of body and soul.
Well, here is a bit of news – Walmart selling eBooks? Sure, why not? They can do so online and also sell Kobo eReaders, as well as romance books. Frankly, Amazon’s domination is huge and retailers are starting to take bold moves against the big A.
“The deal will give Walmart access to the massive ebook market, which is largely dominated by Amazon. Amazon is responsible for roughly 83% of all ebook sales in the US…”
There is a dark side in the historical romance genre. It’s Gothic romance, which doesn’t always give the reader a happily-ever-after ending. Born centuries ago, the genre flourished in the late 18th and 19th century England. They were dark tales, often with a supernatural backdrop, set in creepy houses, castles, or ruins. Somewhere lurking in the fearful locations were mysterious men with secrets or questionable pasts who wooed unsuspecting female heroines. Of course, in the mix, there could be ghosts, monsters, vampires, and other evils lurking beneath the bed.
The romance, however, is still a focal point of these dark tales of love intermixed with the not-so-pleasant surroundings. A few years ago a Gothic romance by the name of Crimson Peak hit the theatres starring Tom Hiddleston, Jessica Chastain, and Mia Wasikowska. Below is a fairly short but great description of the Victorian sexuality that became part of Gothic romance.
If you have not seen the movie, you can also read the book.
After doing a bit of Google searching, I came across another good article about the genre that is worth the read – Romance Unlaced: Authors Discuss Today’s Gothic Romances by Madeline Hunter of USA Today (July 13, 2016).
Years ago, before big, fat historical romances broke onto the scene, I would look at the mass-market racks in the drugstore and see rows of covers that had much in common. A woman in a filmy gown running down a hill in the night. In the background, cast in eerie moonlight, was a big house. Read More Here
If you haven’t read a good Gothic lately, here are a few to try out mentioned in the article above. Caution. Not all may have HEA.
Calling all geeks who love statistics. Sure you want to know that 90% of all ebook sales are in the romance genre. The independent authors are taking up a huge share of the pie, leaving behind the big five in the dust.
To read more of what’s happening in the publishing industry, you dare not miss this report full of graphs and pie charts to make your eyes blurry but filled with interesting news for authors and readers.
Why the name “Red Brick Media”? I’m glad you asked. I know it’s a bit strange since I’ve attached it to this historical romance website and also to my book sales on Amazon as a merchant. I suppose you want to know what’s up with the bricks? Not exactly romantic but they do make great bookends.
On the private side, I’m a genealogy addict. It’s a terrible addiction. You spend hours in front of the computer searching for dead relatives. Then when you get a chance, you visit the graves of dead ancestors and talk to them like they can hear you. You search census records, birth records, marriage records, and learn to read scribbles of handwriting hundreds of years old. And if you’re lucky enough, you meet a living family member who is a distant cousin, who you’ve discovered in your searches. You spit into tubes and send off your saliva to be analyzed. Afterward, you check your DNA matches repeatedly, waiting for surprises like finding a cousin you never knew you had (yep, happened to me). Yes, this is my life and these are my ancestors – brickmakers and bricklayers.
My grandparents were both born in Manchester, United Kingdom. My grandfather was a bricklayer. His father was a bricklayer. His cousins were bricklayers. His uncle was a bricklayer, and the matriarch of the family was a man by the name of Robert Holland, my second great uncle. He possesses a story of rags to riches ever since he delivered the first bricks on a cart to Albert Square that were used as part of the building of the Manchester City Hall in 1869.
My second great uncle became a successful Salford (just outside of Manchester) businessman and Salford Justice of the Peace and Alderman. He dabbled in politics, building construction, and bricks and died in 1920 amassing a large amount of wealth and property, now all gone. I have been obsessed with his life and success for many years and have hunted down his descendants in the United Kingdom and had the privilege of meeting them.
When I think of building a successful business, I think of him. I often tell myself to build my success “one brick at a time.” So naturally, I’ve named what I do Red Brick Media in honor of my ancestors. The picture of the man above is Robert Holland. Of course, my great-grandfather was named Robert Holland, my grandfather Robert Holland, my uncle Robert Holland, and my cousin Robert Holland. Needless to say, we have many Robert Hollands in the family.
All my best,
RED BRICK MEDIA – Save a brick. They make great bookends.
Today an announcement was made regarding changes coming to Facebook’s feed. As an author and promoter of books, I regularly use Facebook to engage with fans and followers. It helps me connect, keep my followers up-to-date on news, and is a means of promotion. As of today, that is going to change dramatically.
Facebook is making changes to make sure that your feed will include more information from your friends and family. Content from pages you LIKE is going to drop dramatically. As reported in the Irish Times (which had a good article about it): “As we roll this out, you’ll see less public content like posts from businesses, brands, and media,” wrote Zuckerberg. The implication couldn’t be clearer. All media companies that post their content on Facebook will see a decline in the number of users that they reach through the platform. For those publishers that have built their commercial strategy around Facebook and are dependent on it for most or even all of their income, it could be ruinous.”
So what does this mean to you? With my followers on my page for Historical Romance Books on Facebook nearing 1,000, you will see fewer posts. I’ll probably fall into obscurity on your feed so marketing and news regarding historical romance from your favorite authors may be non-existent in your feed.
The only solution I can give you is to regularly follow the Historical-Romances.com website and subscribe to the feed of new posts and sign up for our newsletter. You can do so on our home page: HTTPS://HISTORICAL-ROMANCES.COM If you love historical romance and the articles and news we post, this may be the only means of connecting with you on a regular basis to keep you informed on new releases, offer authors promotion, and provide great reviews.
To read more about these Facebook changes here is a good article on RECODE. Facebook will be more focused now on personal connections than a platform for marketing. For some, I’m sure that will be great news. But for others, it will dramatically hinder our reach to bring to you the news on things you like.
From the back and neck strain to the grasping duke from behind, comes the ultimate place most aristocrats are hoping to place their heroines — on their back.
After searching through the covers of past and present, this pose seems to be the least used in the variety of physical positions. Nonetheless, it serves to take the story to a satisfying conclusion…if you get my drift. Here are a few goodies from the past.
…and those from the present carrying on the seductive reclining position.
Each year, the CEO of Smashwords (a distributor of eBooks for authors), writes his predictions for the coming year. Most of the time, so I’ve read, he’s pretty well spot-on right.
This year’s predictions for authors (and readers who wish to be in the know) is well worth the read. Though readers enjoy a proliferation of great deals and more books than they can possibly read, the market is becoming bleaker for publishers and independent authors alike because of the growing monopolization of Amazon in the marketplace.
I encourage you to take a moment and read Mark’s post. Be informed of how everything works besides the dashing duke you’ve fallen in love with between the pages. Each time you flip a page in Kindle Unlimited, the author’s work you read is being paid at less than a penny a page.
All my best, your HR Admin.
Smashwords’ CEO and founder Mark Coker has once again unveiled his annual predictions for the publishing industry, and to say this year’s edition is dark would be an understatement. Coker continues his longtime tradition of decrying all things Amazon, but this year…things are different. For too long, it was easy to dismiss Coker’s predictions as…
Moving on from the back and neck strain pose comes the opposite of the hero seductively approaching the heroine from behind. Not quite as popular as the frontal view, they still make up a large number of covers in the historical romance genre.
As you can see, the windstorm continues with flying female hair in a few of the scenes. The male domination remains as the shirtless, seductive hero catch their female prey. The ladies are turning their heads backward getting a good look at their seducer. The last cover, however, has me scratching my head as the hero is apparently into gymnastics, raising her into the air!
Does the pose continue these days! You betcha! Men are still grabbing the ladies from behind.
Anyway, it’s all in fun. Stay tuned for the next overused pose in the historical romance books genre.
Yesterday, I was feeling a bit loopy looking at old historical romance book covers. Have you ever thought about the cover poses in this genre? If you look at the older books, I can imagine an ensuing backache and neck strain sustained if a shirtless man bent me over backward, while I lifted my naked leg up against his side. Romantic? I laugh at the faces of these ladies who often turn their head away and looked pained rather than seduced. Of course, the windstorm is always blowing and the hair is flying around. Do they make you go ouch or moan at the thought of the dominant male seducing you as our spine cracks?
Have a bit of a chuckle with me on the first strike a pose for covers blog post. More to come!
Has the pose diminished in current historical romance covers? Not really. Backs and necks are still out of line, however, it’s hard to find the consistent leg up these days.
Book reviews. They are important to authors. From accolades to one star they serve a purpose beyond feedback of a story. Reviews are an essential means by which authors can promote their books. Without them, they are lost in a digital sea of ebooks or are collecting dust on a shelf.
Reviews are garnished in a variety of ways. However, some retail venues, such as Amazon, can be a pain when it comes to receiving and keeping reviews. Their policies go far beyond no family members or friends posting reviews. They are now targeting individuals who may interact with authors on Facebook or other social media platforms. Big brother is watching.
Here is an eye-opening article regarding this problem. On author forums, you’ll read plenty of complaints about disappearing reviews from people they don’t know personally. A lot of book reviewers as well are getting nasty-grams from Amazon threatening to be blocked. These over-reaching rules go far beyond the purpose for which they were initiated to cut down on fake reviews. My gut feeling is that the independent author rather than the traditionally published author is the main target. READ HERE – Amazon’s Review Policy is Creepy and Bad for Authors.
Beyond this challenge, reviews are integrally connected to marketing. Marketing is a pain. It’s expensive. It’s a time-consuming task. It’s necessary to get visibility in a saturated marketplace when you don’t have a mainstream publisher backing your book.
The biggest obstacle in releasing a new book is the lack of reviews that plague authors on Amazon for months on end. Without reviews, they cannot market. Without marketing, they cannot get noticed. When you hear the best way to thank an author is to write a review, I sincerely hope that you will consider supporting the authors you read in this fashion. A few words and a number of stars help immensely to aid authors in getting noticed.
Did you know that after 20-25 reviews, Amazon notices and will include authors in the “also bought” list or the “you might like list” as you browse for books on Amazon? After 50-70 reviews, you might get an email recommending an author’s book to read based on your genre preferences.
You may ask — well why don’t authors pay for advertising? Authors do but are restricted where they can advertise because of lack of reviews. There are multiple places to market books. Some are as cheap as $5 a day to as high as $600 a day, depending on the marketing venue. Almost all of these advertisers have requirements that include a minimum number of reviews and minimum star ratings to be accepted. They either post it plainly on their website, or the marketing resource will check all your book ratings on Amazon, iTunes, Nook, Kobo, and Goodreads to see if you qualify.
BookBub is by far the best place to advertise, hands down but competition is fierce for placement from publishing houses to other successful independent authors. Only 20% of those who apply are chosen to run an advertisement. Depending on the genre and if you advertise in the USA, internationally only, or both, costs can be astronomical. For a one-day historical romance advertisement, the fee is $640 for a book priced at 99 cents. The fee rises if the price is higher. Results on BookBob are phenomenal but not cheap.
Remember the next time you read a book that the author is hoping for a review. It can be a sentence or a multi-paragraphed discourse. It brings feedback on the story, helps authors to get noticed, and makes them eligible to obtain advertising from third-party websites. They also bring encouragement and advice on how to be a better author going forward.
If you don’t know how to write a book review, don’t worry. You won’t get a five to one-star review in return for your effort.
Your Admin from Historical Romance Books
Let’s face it, ladies. We are drowning in dukes! This morning when I visited the historical romance best sellers on Amazon Kindle, that’s pretty much dominated the scene in the 100 top selling books. Even those books that don’t have the title “duke” on the cover, doesn’t mean there isn’t one lurking between the pages. Most of these dude dukes are bad boys with a few charming ones thrown into the mix.
Here’s a quick sampling if you don’t think I’ve gone historical romance raving mad.
Blame it on the Duke
Kind Ella and the Charming Duke
A Beauty for the Scared Duke
The Duke of Nothing
A Duke in Shining Armor
The Duke of Ruin
A Governess for the Brooding Duke
The Silent Duke
From Duke Till Dawn
The Desires of a Duke
My Wild Duke
The Lady, the Duke, and the Gentleman
Kissing the Duke
The Broken Duke…and on, and on, and on.
Once in a while, a lord, marquis, and earl sneak in the bunch, not to be confused with the many rogues of the historical romance genre. There are even duke series like Difficult Dukes, The Disgraceful Dukes, Girl Meets Duke and many more. I guess I’m scratching my head on why we always have to fall in love with a duke. Is there a hidden code that only best-selling romances must be duke centric? Is this the only peerage that can sweep us away into the fantasy land of romance?
After doing some research, I’ve found a Goodreads Listopia entitled, “Dukes…Bring ’em on!” If you Google the term “dukes in historical romance novels,” you’ll be smacked to learn the results. There’s an interesting article on NPR entitled, “Put Up Your Dukes: Romance’s Favorite Rank.”
Perhaps it boils down that with all these erotic romance covers, we have determined that dukes are the sexiest and most desired of the English peerage. We prefer dreaming about becoming a duchess regardless if we understand why we should address him as His Grace or where he stands in the scheme of English peerage. Whatever the reason, I’d frankly like to see more historical romances that go beyond this narrow breed of titled men and even dare to focus on a man without an aristocratic title.
What are your thoughts, readers? Don’t be shy! Start chiming in and enjoy the discussion.
Your Admin from Historical Romance Books
P.S. If you want to learn about British peerage, here is a good article on Anglotopia, “The peerage: A primer on Understanding Lords, Ladies, Dukes, Earls and More.”